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inukjuak 2011 EN

Of Bowls and Voices 

April 27- June 1 2013

Exhibition's opuscule, written by Marie Perrault and published by Oboro
Performances of Lysa Iqaluk and Annesie Nowkawalk
Elektra 14
International Digital Arts Festival
Montréal, May 1 - 5, 2013    

Texte de Jean-Émile Verdier about "Jeux de bols et de voix"

Voices: Elisabeth Nalukturuk, Nellie Nappatuk, Sarah Naqtai, Phoebe Atagotaaluk-Aculiak, Lysa Kasudluak Iqaluk, Margaret Mina, Annesie Nowkawalk and Ida Oweetaluktuk
Ceramics: Marie Coté

My project is a visual and sound installation which also includes a series of clay drawings on paper. I produced this body of work in Inukjuak, Nunavik, over the summer of 2011 through a grant and an artist-in-residence program subsidised by the Conseil des arts et des lettres du Québec, 
Aumaaggiivik (Nunavik Arts Secretariat), the Kativik Regional Government, and Air Inuit.

Eight throat singers sang with and in the porcelain bowls I made specifically for the occasion. I recorded their chants in four different locations: at the Avataq Cultural Institute, in the community family centre Sungirtuivik, in a traditional Inuit inter-seasonal dwelling called a qarmaq, and in a house that served as my residence for the time I was there. Along with the music, the recordings also include the conversations between the singers, the repetition of particular melodic motifs, and the ambient sounds of everyday life in the north.

I initially got the idea of singing and bowls when I heard Inuit singers in a concert given by the Montreal Symphony Orchestra under the direction of Maestro Kent Nagano. I was intrigued by the proximity of the singers’ mouths when singing and later asked one of them why were they so close to one another. She told me it was for the echo. This simple answer suddenly propelled my research into the world of Inuit vocal games, voice and echo. If sound reverberates through juxtaposed mouths, why not add to the phenomenon of sound reflection an element – porcelain bowls – capable in their very form of reverberation and resonance? It is around this question that my project Of Bowls and Voices finds its source and inspiration.

The installation includes four porcelain elements or diffusers that play back the recordings through hidden speakers. When, by chance, one of the throat singer’s voices finds itself in harmony with the resonance of a bowl, the sound seems to spin and elevate itself in a gyratory movement that coincides perfectly with the roundness of the bowls. And within the same movement and in the same space, the bowls and voices reform and situate for the eye and the ear a little bit of the North’s colour and intonation. The circularity of the mouth and the bowls and speakers, and the northern sky all play off one another.

Vidéo YouTube

5 minute excerpt of Bowls and Voices, soundscape and throat singing 

Sound editing Olivier Girouard


Photos Paul Litherland

In production
Clay found on the banks of Hudson Bay, Inukjuak                                                                                             Sketch: raw clay on porcelain